Collaborative Piano Faculty

MATT MCFARLANE, PIANO

A musician of diverse abilities and interests, Matt McFarlane has been a part of the Bay View Music Festival since 1998. McFarlane studied Music Education at Graceland University in Lamoni, IA and dual majored in Piano and Trombone. After teaching instrumental music at the Lamoni School District, he pursued a Master of Music degree in Piano Accompanying and Coaching from Westminster Choir College in Princeton, NJ. New York performances have included choral performances in Carnegie Hall and Avery Fisher Hall at Lincoln Center as a member of the Westminster Symphonic Choir. As a member of the Minnesota Chorale, McFarlane has performed with the Minnesota Chorale at Orchestra Hall in Minneapolis and The Ordway in Saint Paul. His teachers have included Dalton Baldwin and JJ Penna. Conductors have included Osmo Vanska, Joseph Flummerfelt, Kurt Masur, and Colin Davis. Matt has accompanied in many voice studios, including those of Martha J. Hart and Sharon Sweet. Master Classes have included Diana Soviero, Virgina Zeani, George Shirley, William Preucil, and the Scholars of London. When not at Bay View, he spends time as the co-director of music with his wife Molly at Discovery Methodist Church in Chanhassen and spends his school year at the Main Street School of Performing Arts wrangling high school musicians.


ANTHONY PATTERSON, PIANO

Anthony Patterson began to study the piano at the age of three. At the age of eight he made his debut with the Lima Symphony and at age 12 he was chosen one of seven finalists in the American Federation of Musicians Young Artist Competition. In 1989, he was a finalist in the American Federation of Music Clubs national competition while winning the state and regional competitions. His teachers have included Richard Syracuse, Andre Watts, Jerome Rose and Earl Wild. He has served on the faculty of the University of Charleston, West Virginia; Capital University and Alma College, Alma, Michigan. Mr. Patterson joined the Bay View faculty in 1986.


CASEY ROBARDS, COLLABORATIVE PIANO

Casey Robards has given recitals throughout the United States, Europe, Central and South America and Asia.  She gave her Carnegie Hall debut with baritone Christiaan Smith, performing a program of Top 40 pop songs sung as original art song arrangements. Her repertoire includes art song, opera, musical theatre, gospel and popular vocal music, string, brass and wind. In 2017, she served as associate music director of the University of Kentucky world premiere of “BOUNCE: The Basketball opera” co-produced with Ardea Arts.

Dr. Robards is Lecturer/Vocal Coach at the University of Illinois and Head of Collaborative Piano at the Bay View Music Festival where she serves as conductor/coach/pianist for the vocal young artist programs. Casey held prior faculty appointments at Indiana University, Oberlin Conservatory (postdoctoral) and Central Michigan University. She is interested in the intersection of music and social justice and has led benefit recitals for Musicambia, a non-profit organization that creates music conservatories in prisons.

Robards attended the Tanglewood Music Festival (04, 05), receiving the Henri Kohn Memorial Award.She has a DMA in Vocal Accompanying and Coaching from the University of Illinois.

www.caseyrobards.com


Hee-Kyung Juhn, Collaborative Piano/Organ

Pianist Hee-Kyung Juhn was born into a Methodist preacher’s family in South Korea, lived her teenage years in Paraguay, South America, and was later trained in the United States. She attended The Juilliard School (MM), Indiana University (DM), and University of Michigan. Her teachers include Leonard Hokanson (a pupil of Artur Schnabel), Arthur Greene, Martin Canin, and collaborative pianists Martin Katz, Marshall Williamson and Jonathan Feldman.

As a soloist, Hee-Kyung has appeared with New York Classical Players, Pine Bluff Orchestra, Orquesta Sinfónica de la Ciudad de Asunción, among others, and has recorded Goldberg Variations by J. S. Bach on MSR Classics. The American Record Guide noted her playing as “sensitive and imaginative”, the Gramophone wrote “her acumen for voice-leading lends impressive clarity.” The New York Concert Review called Juhn "a top notch, superb pianist, technically brilliant. . subtle."

As a chamber musician and collaborative pianist, Hee-Kyung has performed in venues such as Seoul Arts Center, Kumho and Sejong Cultural Center in Seoul, Teatro Municipal in Asunción, Weill Recital Hall of Carnegie Hall, Paul Hall in New York, Sydney Opera House, etc. She has also worked as an opera coach, staff accompanist, and a church musician (organist and choir master) in various churches in California and Arkansas. She has taught in universities for 17 years (University of California in Santa Barbara and Henderson State University in Arkansas), and has served as the faculty pianist at the Great Mountains International Music Festival in South Korea, Martina Arroyo Foundation, Inc. in New York City, and the Music Academy of the West in Santa Barbara. She frequently serves as a judge and adjudicator for various competitions and festivals. Hee-Kyung and her husband, a piano professor at Ouachita Baptist University, regularly perform and teach master classes together, most recently in China, Korea, and Portugal.

Hee-Kyung’s recording of the Goldberg Variations is currently available at www.amazon.com and www.msrcd.com as well as digital download sites.


Mariah Boucher, Piano

Active as a chamber musician, and vocal coach, Mariah Boucher frequently performs in recitals featuring singers and instrumentalists, and has been a featured soloist with orchestras performing the concerti of Mendelssohn and Ravel. She has joined with chamber partners Dennis Carter, Lisa Raschiatore, and Jennifer Goltz to perform at the art space Trinosophes. She has worked closely with composers Michael Daugherty, Gabriela Lena Frank and Evan Chambers premiering and exploring new music. As an opera enthusiast, Mariah has performed and coached Puccini’s La Boheme, Humperdinck’s Hänsel und Gretel, Donizetti’s L’elisir d’amore and Mozart’s Cosi fan tutte.


Rob Auler, Piano/Organ (Visiting Faculty)

The New York Times commends Robert Auler’s playing for its “extraordinary rhythmic clarity and expression.” American Record Guide cites his “elegant tone and uncanny sense of voicing.” The Charlotte Observer writes that Auler handles “technical and virtuosic concerns with aplomb."

Auler’s playing has also been described as “beautiful” (Fanfare), “superb,” (Ann Arbor News) “stunning” (LaPorte Herald-Argus) “first-rate” (Cincinnati News-Record) and “a knockout.” (Syracuse Post-Standard.)

Auler has won first prize in national and international piano competitions, including the Society of American Musicians and the Stravinsky Awards.  Auler has performed on six continents, including performances throughout the United States, Canada, Argentina, Venezuela, Germany, Austria, Holland, France, Denmark, the Czech Republic, China, South Africa and New Zealand. Notable venues include Carnegie Hall, Teatro Colon, and Shanghai Symphony Hall.

Auler has performed in notable summer music festivals including the Aspen Music Festival, Music Academy of the West, the Monadanock Festival, the Michigan City Chamber Music Festival, the Saugatuck Chamber Music Festival, Nantucket Musical Arts Society, and Festival A Tiempo Caracas (Venezuela).

He has collaborated with composers such as Steve Reich, Aaron Jay Kernis, Carter Pann, and George Tsontakis, and with world-class ensembles such as the Ying Quartet, MIRO Quartet and Sybarite5.

Auler is also the founder and executive director of Laveck Concerts, a recital series that brings world-class classical music to an underserved portion of upstate New York.

Auler records for Albany Records, performs frequently with Society for New Music, and Syracuse Symphoria, and serves as Professor of Piano at the State University of New York (Oswego). He and wife Tara have a 4-year old daughter, Katie, and a 1-year old daughter, Caroline.

Auler is the 2016 winner of SUNY Oswego’s President’s Award for Scholarly and Creative Activity.


KELLY HALE, ORGAN (Emeriti, Pre- and Post-Season)

Professor-Emeritus of the College-Conservatory of Music at the University of Cincinnati, Dr. Hale retired in 2008, following a 32 year career with the opera department at CCM. He remains an active coach, conductor, accompanist, organist and composer of church music. An Oklahoman by birth, he studied at the University of Oklahoma and the University of Texas at Austin, New York and Italy. His performances have taken him to sixteen different countries from Austria to New Zealand. Dr. Hale will accompany festival artists and serve as Assembly Organist. He also teaches Yoga classes through the adult education seminars. Artist-in-Residence with the Bay View Festival since 1979.

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The Bay View Association is located just outside of Petoskey, Michigan on the shore of Little Traverse Bay.

1715 Encampment Ave
P.O. Box 583
Petoskey, MI 49770

Phone: 231-347-6225

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